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Interview with the artist Elmas Deniz

Isidora

…story of a particular nameless creek (Gryneion coin Apollon – Tura Apollo), 2019 Pencil drawing on paper 95 x 68 cm History of a particular nameless creek (Angels), 2019 Pencil drawing on paper 85 x 138 cm History of a particular nameless creek (Pinna Nobilis pearls, Insignificant-s), 2019 25 years old pearls, various seeds, freshwater molluscs, sea urchin shells, creek stone 11 pieces; variable dimensions History of a particular nameless creek (P…

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Culture JammingEventsFuture ArchiveVoices

Expanded Media Triennial RE-CONNECTION 2019

Isidora

…onal research projects. In the framework of the Triennial of Extended Media 2019, at the invitation of Prof. Dr. Biljana Jović (University of Belgrade) and in the selection by Nenad Glišić, Virgil Widrich is coming to Serbia to be present at the ceremonial opening of the exhibition and to present his artworks through several programs: 16:00 video installation “tx-reverse 360°” (Martin Reinhart, Virgil Widrich 2018) screening in presence of Virgil…

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Future Archivei-collectPlacesTopics

Unfinished Art Space

Thomas Büsch

…that is more innovative giving artists a space to experiment within their community and to exhibit to a broad audience. This cultural project works with an open collaborative ethos, creating opportunities for artists, facilitating the creation of contemporary art, and encouraging risk-taking in contemporary art-practice in a local context. Unfinished Art Space is ‘unfinished’ and does not have its own space, but operates flexibly and nomadically….

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Sapun Ghar

Thomas Büsch

…ih – istanbul Opening September, 25 2019 5-7 pm Meet the artist: September, 26-28 2-7 pm September, 26 – October, 16 2-7 pm Tuesday-Saturday In 2015, the artist Iris Andraschek was artist in residence in Istanbul supported by the Austrian Chancellor and accustomed by the Istanbul based association DIYALOG. During her residency in Istanbul she started an ongoing project on the so called Aleppo Soap. For the first time Iris Andrascheck is presenting…

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Turkish Rap Scene – Part 2

Aliette Dumont Saint Priest

…a – unlike Sulukule rappers who release professionally produced albums – becoming more moderate in terms of critique and resistance, as the competitive market logic dominates their logic when writing new songs ». Mişe also mentioned the arrival of autotune in Turkish rap, making the exercise of rap something accessible to many more people than before, no matter how deep in the discourse of the rapper. The researcher brings up this topic as one of…

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Urban Voices

…hook the environment of popular music and Brazilian culture started between 1967 and 1968, happening under the name of Tropicalism and fitting into the post-war context, the development of the cultural industry and the introduction and consolidation of the media (radio and television). One of the most influential singers of the movement was Caetano Veloso with the song Alegria, Alegria.    As Caetano later explained, the song is a report, in the…

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Literature goes Digital

Thomas Büsch

…2012 Frankfurt Book Fair. WHAT? This year´s theme is „Literary Cities“. Welcomed are texts imaginary or real, past, present or future related, utopian or dystopian, stories dealing with our cities and metropolis as the core of culture and creativity. WHEN? From August 15th until October 12th participating authors will write and publish in real-time. HOW? This experiment is based on the Internet platform poiesipedia.com. Here, one can read, edit, o…

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Fungistanbul is playing in the opening of the Mahalla Festival

Maëla Sanmartín

…aware of many things, but years passed and we’re becoming very unaware of things. We’re humans, and our nature is being aware of everything in life. As years pass, some thoughts and sentiments are coming back, and we start to remember that this situation is a common issue. If you understand that: listen to us, listen to our music. You will feel what we’re doing.  …

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Palimpsest of Power – Aaron Bezzina

Maëla Sanmartín

…s me anxious (which is also kind of good).   Do you think there’s a lot of competitiveness in the art world? Do you feel pressure? I think the pressure comes purely from deadlines and bureaucratic stuff like funds. Otherwise, nobody is really asking for an artist to be an artist. I don’t see the competition there. I know that the work that I’m doing now is better than all the works that I’ve done before, so this is a form of a competition within m…

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