INTERACTING ART: working unworks and unworking works

Written by Isidora on . Posted in All Posts, Events, Future Archive, Imagination and Orchestration, Places, Seen Beyond, Topics, Topography of Memory, Voices

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The show is part of the program of Ars Electronica 2016 and was open during the festival

at Raumschiff, Linz

Initiative.Raumschiff

RADICAL ATOMS Ars Electronica 2016

 

A play on artworks, works in process and working things out by doing – together. Through negotiation, juxtaposition, and re-contextualization, various works and non-works are woven into an interface for the audience, built through interactive, textual and performative processes.

There’s no excuse for our lethargy: since we already possess the ideas, tools and techniques to initiate a change of course. The collaborative display here exhibited turns non-functional works into functional un-works, reaching towards how art might work between artworks.The project uses the medium of interaction in a way that allows the pieces to leave the traditional space of artistic discourse and to occupy instead the space of dialogue.

With Stella Baraklianou, Yen Tzu Chang & Yoh Morishita, Maria Czernohorszky, Isidora FicovicLaura Jade HindesMary Maggic,Francesco Nordio, Patrick Schabus, Henning Schulze, Julio Sosa, Federico Tasso.

A project by
Davide Bevilacqua, Sam Bunn, and Sewal Six.

INTERACTING ART: working unworks and unworking works 

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Abounaddara

Written by Thomas Büsch on . Posted in Events, Seen Beyond

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The Abounaddara collective whose works were on display on the Venice Biennial last year are now invited by the documenta 2017.  Abounaddara is an anonymous collective of volunteer, self-taught artists whose practice is founded on the principle of emergency and an attitude of defiance towards established powers and the culture industry. Since April 2010, Abounaddara has produced self-funded, weekly short films and made them freely available to the public online. These films are anonymous and open-ended. They offer a glimpse of ordinary Syrians without restricting them to political or religious affiliations, while focusing on the details of daily life and evoking horror without ever showing it.

2015 the collective had withdrawn from All the World’s Futures, the 2015 Venice Biennale’s central exhibition curated by Okwui Enwezor, claiming that their opening short film, “All the Syria’s Futures,” was “censored” by not being screened on May 5. In a letter to the Biennale’s organizers members of the collective expressed concern that their films will be “screened to the public in 30 minutes blocs, scheduled between readings from Marx’s Capital  and various musical interludes.” The group is also concerned that they were awarded a “special mention” without their first film being screened.

All the Syria’s Futures by Abounaddara

 

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