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Interview with the artist Elmas Deniz

March 10, 2020March 16, 2020 Isidora

…story of a particular nameless creek (Gryneion coin Apollon – Tura Apollo), 2019 Pencil drawing on paper 95 x 68 cm History of a particular nameless creek (Angels), 2019 Pencil drawing on paper 85 x 138 cm History of a particular nameless creek (Pinna Nobilis pearls, Insignificant-s), 2019 25 years old pearls, various seeds, freshwater molluscs, sea urchin shells, creek stone 11 pieces; variable dimensions History of a particular nameless creek (P…

Culture Jamming Events Future Archive Voices

Expanded Media Triennial RE-CONNECTION 2019

August 9, 2019August 9, 2019 Isidora

…onal research projects. In the framework of the Triennial of Extended Media 2019, at the invitation of Prof. Dr. Biljana Jović (University of Belgrade) and in the selection by Nenad Glišić, Virgil Widrich is coming to Serbia to be present at the ceremonial opening of the exhibition and to present his artworks through several programs: 16:00 video installation “tx-reverse 360°” (Martin Reinhart, Virgil Widrich 2018) screening in presence of Virgil…

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Literature goes Digital

August 20, 2012April 30, 2018 Thomas Büsch

…2012 Frankfurt Book Fair. WHAT? This year´s theme is „Literary Cities“. Welcomed are texts imaginary or real, past, present or future related, utopian or dystopian, stories dealing with our cities and metropolis as the core of culture and creativity. WHEN? From August 15th until October 12th participating authors will write and publish in real-time. HOW? This experiment is based on the Internet platform poiesipedia.com. Here, one can read, edit, o…

Urban Voices

…e digital one ». In an epoch when virtual reality is getting more and more common, when computing technologies are trying to create a reality more real than reality itself, we can think of these simulations as a way to slip away from the outside world when this latter is collapsing. Some organic elements are introduced into the installation, such as an orange tree, to highlight how reality and time still have a grip on real and material objects in…

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Unfinished Art Space

August 11, 2019August 11, 2019 Thomas Büsch

…that is more innovative giving artists a space to experiment within their community and to exhibit to a broad audience. This cultural project works with an open collaborative ethos, creating opportunities for artists, facilitating the creation of contemporary art, and encouraging risk-taking in contemporary art-practice in a local context. Unfinished Art Space is ‘unfinished’ and does not have its own space, but operates flexibly and nomadically….

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Sapun Ghar

September 25, 2019March 25, 2020 Thomas Büsch

…y place as artisans use the historical rooms as their workshops. One of the 210 rooms—room 53—has been used for contemporary art exhibitions, performances, site specific installations, seminars and workshops for some years now. In autumn 2019, it hosts Iris Andraschek’s installation “sapun ghar”. The choice for this special location was made due to the artist’s interest in art in public spaces (which many former projects like “where do the borders…

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Turkish Rap Scene – Part 2

June 27, 2021March 3, 2022 Aliette Dumont Saint Priest

…a – unlike Sulukule rappers who release professionally produced albums – becoming more moderate in terms of critique and resistance, as the competitive market logic dominates their logic when writing new songs ». Mişe also mentioned the arrival of autotune in Turkish rap, making the exercise of rap something accessible to many more people than before, no matter how deep in the discourse of the rapper. The researcher brings up this topic as one of…

Place Hacking Places Seen Beyond Topics Voices

Raphael Vella – Maltese Artist, Teacher and Curator

February 16, 2023February 18, 2023 Maëla Sanmartín

…us is changing (maybe for the worse) there is still hope and the possibility of dreaming of change. Raphael Vella (n.d.). raphaelvella.com. Available at: http://raphaelvella.com/…

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Slow Art Day in Times of Slowdown

April 10, 2020April 18, 2020 Julie Peters

…ait, in a “face to face” situation. “It was a real way to engage with that community without losing what is special about Nadas”, explains Nora, who was responsible of having a look into the (virtual) “rooms” in order to answer technical questions and check how the drawing groups were doing. Half an hour later, participants and Nadas’s team were meeting again in the “common room”, to discuss their feelings, bring some feedback, share their impress…