The Berlin Biennale for Contemporary Art has become a format providing a space for curatorial concepts beyond the mainstream production of contemporary art and culture. By choosing the artist Artur Żmijewski as the curator of the 7th Berlin Biennale, the Berlin Biennale once again demonstrated itself as a space for action and experimentation. Żmijewski and his pick of associated curators, Voina and Joanna Warsza, were particularly interested in strengthening the social impact of art and artists in order to manifest their responsibility towards the processes of social change. With more than 120,000 visitors, it was at twelve sites in Berlin and in Eisenhüttenstadt that the 7th Berlin Biennale negotiated art as a tool for social transformation by presenting a range of attempts of influencing politics directly.
For the first time in its history, everyone could visit the Berlin Biennale free of charge—a novelty that helped to reach audiences who normally do not respond to art institutions. Many visitors used the chance to visit the 7th Berlin Biennale more than once, hence following its process-based development. A newspaper informed about important issues around the 7th Berlin Biennale and offered texts on the participating artists and projects.